Miles Davis, referred to in the title, practiced a free-form jazz that spiraled in and out of structure. To dance to Davis is a symbol for difficulty. Condo finds metaphoric footing in jazz and a complexity in cubism mixed with pop art and conceptual critique.

Mar 10, 2023 · Going to Los Angeles, California Visit Dancing to Miles By George Condo and see these amazing collection of paintings. View more of other museums Interactive Videos @...

Mar 22, 2023 · It was at Haring’s studio that Condo made one of his breakthrough paintings, Dancing to Miles, 1985-86 (now in the collection of the Broad Museum).

Feb 12, 2024 · Dancing to Miles 1985-86 Neo-Expressionism Oil on canvas The Broad Art Foundation, Santa Monica. In ‘Dancing to Miles’ Condo presents a myriad of figures in a Cubist style. The colours of brown and black marry with a feel …

May 12, 2023 · There, Condo painted another expanding canvas, this one called “Dancing to Miles”, which was included in the 1987 Whitney Biennial. “It’s kind of a pivotal work in the sense that it opened the eyes of the art world to how many different directions an artist can take in one single canvas,” Condo says of the seminal painting now in the ...

This painting is kind of the fine art version of a Miles Davis song. “Condo finds metaphoric footing in jazz and a complexity in cubism mixed with pop art and conceptual critique.” Go George!

In fact, several of Condo's most recognized works (including Dancing To Miles, 1985, now in the collection of The Broad) were created in Haring's East Village studio. Until Haring’s death in February of 1990, the two remained extremely close confidants.

An early Condo work, Dancing to Miles, 1985–86, for instance, recalls the analytic spaces of early cubism as well as the slow unraveling of this conceptual world through paintings of de Kooning. The ultimate lesson of the work, however, is frenzied existence, fraught with …

Dancing to Miles: George Confo, artist . Dancing to Miles. GEORGE CONDO. On View. Accession Date: 04/07/86. Accession Number: F-COND-1P86.26. 1985-86. oil on canvas. 110 1/4 x 137

Miles Davis, referred to in the title, practiced a free-form jazz that spiraled in and out of structure. To dance to Davis is a symbol for difficulty. Condo finds metaphoric footing in jazz and a complexity in cubism mixed with pop art and conceptual critique.